Pallavi
அனந்த ரூபிணி அகில ரக்ஷகி
anantha rUpiNi akila rakshaki
அன்னபூரணி அமர பாலினி
annapUraNi amara pAlini
Anupallavi
அம்புலி சோதரி அம்புஜ தாரிணி
ambuli sOdhari ambuja dhAriNi
அம்ருத பாஷிணி அநாத பந்து நீ
amrutha bhAshiNi anAtha bandhu nI
Charanam
அலைகடலிடையே அரியின் அருகே
alaikadalidaiyE ariyin arugE
அமர்ந்த அழகே அதர அசைவால்
amarndha azhagE adhara asaivAl
அனைத்தும் அனுக்ரஹிக்கும் அன்னையே
anaitthum anugrahikkum annaiyE
அல்வழி அகற்றி அறிவும் அறமும்
alvazhi agattRi aRivum aRamum
அமோக வளமும் அளித்திட அருள் நாடி
amOga vaLamum aLitthida aruL nAdi
அடியேன் அடைக்கலம் அடைந்தேன் அம்பிகே
adiyEn adaikkalam adaindhEn ambikE
Translation
Pallavi
Goddess of infinite forms, protector of the universe, nourisher of the world, you are also the guardian of the immortal devas.
Anupallavi
You are the sister of the moon god, Chandra; you are seated on a lotus. Your speech is as sweet as nectar. You are the savior of the orphaned and the destitute.
Charanam
The beautiful goddess is seated next to Hari in the ocean. She is the divine mother who grants everything with a simple movement of her lips. Oh, Goddess, this humble devotee seeks refuge with you, so I can avoid evil ways. Bless me with intellect, righteousness (the path of dharma), and boundless prosperity.
Author’s Note
This song is the author’s attempt to employ alliteration in the Pallavi, Anupallavi, and Charanam. It is a salutation to Goddess Mahalakshmi, who is seated beside Lord Vishnu in the milky ocean. Inspired by both its style and content, Smt. Asha Ramesh has set this song to the raga Asaveri.
Pallavi
கடலிடை ஜனித்த கமலாம்பிகே நித்ய கல்யாணி நின்
kadalidai janittha kamalAmbikE nithya kalyANi nin
கடைக்கண் அருள் தாராய்
kadaikkaN aruL thArAy
Anupallavi
எங்கும் மங்களம் தங்கிட செங்கயல் விழியால்
engum mangaLam thangida sengkayal vizhiyAl
பொன் மழை பொழிந்திடும் அன்னலக்ஷ்மியே
pon mazhai pozhindhidum annalakshmiyE
Charanam
கலைமகள் மலைமகள் வியந்துன் துதி பாட
kalaimagaL malaimagaL viyandhun thudhi pAda
பேழையுள் உறங்கிய சிறு உயிர்க்கும் உணவீந்த
pEzhaiyuL uRangiya siRu uyirkkum uNavIndha
மாதவன் மனங்கவர் மனோகரி ஜகத்ஜனனீ
mAdhavan manangkavar manOgari jagathjananI
ஆதவன் செங்கதிரும் உன் விழியொளி நிகரோ
Adhavan sengkadhirum un vizhiyoLi nigarO
Translation
Pallavi
Oh, Goddess Kamalambika, you are born from the ocean and are always auspicious. Devi, please shower compassion on me with a glance.
Anupallavi
Goddess Annalakshmi, you are the feeder of the universe. You possess fish-shaped beautiful eyes that shower gold on your devotees. You are responsible for prosperity everywhere.
Charanam
The goddess of knowledge, Saraswathy, and the daughter of the mountain king, Parvathi, sing your glory in astonishment. You are the deity who offers food to even a small creature locked up in a box. You are the darling of Lord Vishnu. You gave birth to the entire universe. Can the light that emanates from the rays of the sun equal the radiance of your eyes?
Author’s Note
The first line of the Pallavi traces the origin of Goddess Lakshmi to the ocean. The support for this line comes from Vishnu Puranam and Padma Puranam. Mythologically, Goddess Lakshmi emerged during the churning of the milky ocean. For details, see:
Tamil Translation of Vishnu Puranam by “Navarathnamala” M.K. Venkataraman, Publisher “The Little Flower Company”, T. Nagar, Chennai 600017, Ist Edition 1995, Page 42 describes:
ஶ்ரீ மஹாலக்ஷ்மியின் ப்ராதுர்பாவம்
அப்பொழுது நீரிலிருந்து செந்தாமரையைக் கையிலேந்தி, செந்தாமரை மீதமர்ந்து, ஒளிவீசும் காந்தியுடன் ஸாக்ஷாத் மஹாலக்ஷ்மிதேவி ப்ராதுர்பாவம் ஆனாள். மஹரிஷிகள் ஆனந்தப் பரவசத்துடன் தேவியை ஶ்ரீ சுக்தத்தினால் துதித்தார்கள். விச்வாசு போன்ற கந்தர்வகள் கானம் செய்து முன் செல்ல, க்ருதாசீ போன்ற அப்சர கணங்கள் நர்த்தனம் செய்தார்கள். கங்காதி புண்ய நதிகள் மங்கள ஸ்நானத்திற்காக புனிததீர்த்தங்களைக் கொண்டு வந்தனர். தங்க கலசங்களில் திக்கஜங்கள் குளிர்ந்த நீரைத் தாங்கி வந்தன. ஸர்வ லோகங்களுக்கும் ஈச்வரியான திருமகளுக்குக் கோலாஹலமாக புனித நீராட்டு வைபவம் நடத்தினர்.
The Tamil translation of Padma Puranam also provides a similar appearance of Goddess Lakshmi during Samudra Mantan on pages 13 and 14.
பத்ம புராணம், எழுதித் தயாரித்தவர்: எஸ். பி. ராமச்சந்திரன், தாமரை நூலகம், 7
என். ஜி. ஓ. காலனி, வட பழனி, சென்னை- 600026, மூன்றாம் பதிப்பு ஏப்ரல் 2008.
The second line in the charanam is based on folklore, for which there is no puranic reference. One day, Goddess Lakshmi wished to test Lord Vishnu’s compassion toward all living beings, no matter how small or insignificant they might be. She collected five ants, placed them inside a locked box. After serving a meal to her divine consort, she asked Him whether He had also cared for all her devotees. Lord Vishnu replied in the affirmative. Out of curiosity, Lakshmi opened the box and found the ants happily relishing a grain of rice. Vishnu then explained that the morsel had come from the red vermilion (tilakam) on her own forehead when she had locked the box.
The interpretation of this episode is that the compassionate Goddess Lakshmi, in her infinite mercy, ensured that even the tiniest of creatures were not left without sustenance. Thus, the divine grace of the gods extends to even the most minuscule forms of life.
Ragam: Kalyani Talam: Adi
Pallavi
பதறி வருவாள் பத்மலோசனி அன்பர்
padhaRi varuvAL padhmalOchani anbar
கதறி நிற்கும் நிலை கண்டாலே
kadhaRi niRkum nilai kaNdAlE
Anupallavi
சிதறி ஓட வைப்பாள் வினைகளை திருவாலி
sidhaRi Oda vaippAL vinaigaLai thiruvAli
நகரி நித்யகல்யாணி நிற்குண சுந்தரி
nagari nithyakalyANi niRguNa sundhari
Charanam
அங்கம் யாவும் குளிர ஸ்ரீஹரியின்
angam yAvum kuLira srIhariyin
பொங்கும் சினம் தணிய வழியறியாமல்
pongum sinam thaNiya vazhiyaRiyAmal
கோடி தேவரும் மனம் வருந்தியே
kOdi dhEvarum manam varundhiyE
வாடி பாடிட பதியை நாடி ஓடி வந்தது போல்
vAdi pAdida pathiyai nAdi Odi vandhadhu pOl
Translation
Pallavi
The lotus eyed Goddess Padhmalochani will come rushing when she hears her devotees cry in despair.
Anupallavi
The ever-auspicious, beautiful, and flawless goddess of Thiruvali city will drive away all your sins.
Charanam
There was a time when crores of celestial Gods did not know how to control the anger and cool the body of Sri Hari after his killing the demon, Hiranyakasipu. They chanted and prayed in utter distress to Goddess Lakshmi. She will rush to her devotees whenever they cry in despair, just like the time she ran looking for her husband, sat on his lap, embraced and calmed him.
Author’s Note
A ferocious Narasimhar (half-man, half-lion incarnation of Lord Vishnu) could not control his anger after killing the demon, Hiranyakasipu. Lord Siva and his creation, Prithyankara devi, both fought with Hari but to no avail. Siva took the form of Sarabeswara (half-bird, half-man form) in this fight but could not control Vishnu’s anger. All of the celestials then begged Goddess Lakshmi to find alternate ways to calm down Lord Vishnu. Mahalakshmi rushed to the spot and hugged her Lord and sat on his lap, and this finally cooled him off. Vishnu in this divya kshetram in Thiruvaali appears in an alinganam, or an embracing pose, with the Goddess sitting on his lap. For details, see:
Thiruvali LakshmiNarasimhar Temple Legend
Also see:
Pallavi
சந்திர பிம்பமோ அன்றி தண்மையின் உருவோ
chandra bimbamO andRi thaNmaiyin uruvO
இந்திர லோகத்து மந்திர ரூபமோ மோக வடிவோ
indhra lOgatthu mandhira rUpamO mOga vadivO
Anupallavi
மையல் தந்திடும் கனியிதழ் காமன் கணையோ
maiyal thandhidum kaniyidhazh kAman kaNaiyO
தையல் இவளை படைத்த நாயகன் ஒருவனோ
thaiyal ivaLai padaittha nAyagan oruvanO
Charanam
கயல் விழிதனிலே கனிந்த காதலும்
kayal vizhidhanilE kanindha kAdhalum
கடை விழிதனிலே காருண்யமும் நிறைந்து
kadai vizhidhanilE kAruNyamum niRaindhu
பரிவுடன் பதம் வருடிடும் பாங்கினில் நெகிழ்ந்து
parivudan padham varudidum pAnginil negizhndhu
அறிதுயில் புரிந்திடும் என்முன் அமர்ந்த எழிலிவள்
aRithuyil purindhidum enmun amarndha ezhilivaL
Translation
Pallavi
Is she the reflection of the moon, or the embodiment of cool serenity? Is she a celestial princess of Indra’s heaven, or the manifestation of enchantment itself?
Anupallavi
Are her lips the bow of love’s own Cupid, whose arrows kindle desire? Is there only a single divine creator that fashioned this damsel?
Charanam
In her pretty fish-like eyes ripens tender love, and in the corner of her gaze dwells gentle compassion. With affection she caresses my feet, and I melt in the grace of this radiant beauty, who is seated in front of me as I remain in constant conscious awareness.
Author’s Note
This song extols the beauty and grace of Mahalakshmi, as though Vishnu himself were attempting to compose a few verses of a sequel to Soundarya Lahari, this time with his consort as the focus. He wonders whether Brahma alone could have created her. Even for one well-versed in conscious awareness, he says, her charm, grace, compassion, and devotion lie beyond the reach of comprehension.
Pallavi
லோக ரக்ஷகி சகல ஐஸ்வர்ய சகித
lOka rakshaki sakala aiswarya sakitha
போக தாயினி சோக ஹாரிணி அகில
bOga dhAyini sOga hAriNi akila
Anupallavi
ஆனந்த ரூபிணி திக்கெட்டும் புகழ்
Anandha rUpiNi dhikkettum pugazh
அனந்த பத்மநாபன் மனோஹரி ஈரேழ்
anantha padhmanAbhan manOhari IrEzh
Charanam
ஆழியிடை துயின்றாலும் தீனர் குரல் கேட்டு
Azhiyidai thuyindRAlum dhInar kural kEttu
நாழியும் செய்யாமல் விரையும் நாயகன்
nAzhiyum seyyAmal viraiyum nAyakan
வையமும் மையலில் மேவிட மலர்க்கணை
vaiyamum maiyalil mEvida malarkkaNai
பையவே கொய்திடும் தனயன் புடை சூழும்
paiyavE koydhidum thanayan pudai sUzhum
Translation
Pallavi
Goddess Lakshmi, you are the protector of the entire universe. You offer prosperity and even luxury to your devotees. You also annihilate all suffering.
Anupallavi
You are the personification of eternal joy. You are the darling consort of Lord Vishnu whose fame spread in all eight directions. You are the savior of all fourteen worlds.
Charanam
Your consort sleeps in the milky ocean. He hurries as soon as he hears a call from the destitute. You have a son who delicately shoots flower arrows so that the entire world will enjoy romantic love. You are surrounded by this family that cares for the universe.
Pallavi
மதுசூதனன் மனோகரி மார ஜனனீ
madhusUdhanan manOgari mAra jananI
மதுரவதனி மஹாலக்ஷ்மி மாதே
madhuravadhani mahAlakshmi mAthE
Anupallavi
மனதினில் மகிழ்வும் மாசறு நினைவும்
manadhinil magizhvum mAsaRu ninaivum
மங்கா வளமும் மாண்பும் வழங்கிடும்
mangA vaLamum mANbum vazhangidum
Charanam
மதியும் மாவலியும் துணையாய் மதம் நிறை மூகனை
madhiyum mAvaliyum thuNaiyAy madham niRai mUkanai
மாய்த்தவள் நீயே மாரி போல மாநிதியொடு
mAytthavaL nIyE mAri pOla mAnidhiyodu
மங்களமருளிடும் மலர்மகளே மகேஸ்வரி
mangaLamaruLidum malarmagaLE magEswari
மூடனெந்தன் மறுமை நீக்கி மேன்மை தருவாய்
mUdanendhan maRumai nIkki mEnmai tharuvAy
Translation
Pallavi
Dear mother Mahalakshmi, you are the darling of Vishnu (Madhusudhanan). The god of love, Manmatha, is your son. Your face is as sweet as nectar.
Anupallavi
You offer happiness to my mind and a thought process free of imperfections. You offer an immutable treasure, a source of enduring greatness and repute.
Charanam
Oh Supreme Goddess seated on a lotus flower, you used your intellect and strength to annihilate the ego-centered demon Mookasura. Like rain, you offer prosperity and auspiciousness to devotees. Please remove this ignorant soul’s birth cycle and offer salvation.
Author’s Note
Lines 1 and 2 of the charanam describe the Goddess Mookambika who caused the death of the evil demon, Kamasura (Mookasura) domiciled in a huge temple in Kollur, Karnataka near Mangalore. There, the deity is visited by large crowds each day.
Per ancient legend, from his guru, Sukhracharya , a demon named Kamasura got wind of his imminent death at the hands of a woman. He performed severe penance to obtain immortality from Lord Siva. Pleased by his austerity, Siva appeared before him. Apprehensive of the outcome, Adiparasakthi (a blend of Goddess Mahalakshmi, Saraswathi, and Parvathy) blocked the boon by taking away the demon’s ability to speak. Thus, Kamasura could not ask for what he wanted from Siva and became Mookasura (a demon without speech). The deity eventually killed him and relieved the devas, and the entire universe, from the demon’s atrocities. For more reading, see:
When Goddess Saraswathi took away Mookasura’s ability to speak, she left him with only his ego. Humiliated but unbroken in spirit, the asura faced off with her. He fell at last before the Supreme Goddess, who, together with her two divine co-equals, delivered a final blow. For details, see: